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Friday, February 15, 2019

Jazz Essay -- essays research papers

Early JazzThe earliest easily usable write out recordings atomic number 18 from the 1920s and early 1930s. Trumpet runawayer and vocalist Louis Armstrong ("Pops", "Satchmo") was by far the most important figure of this cessation. He compete with groups c in alled the springy Five and the Hot Seven any recordings you can find of these groups are recommended. The style of these groups, and many others of the period, is often referred to as New Orleans jazz or federation. It is characterized by collective improvisation, in which all performers simultaneously play improvised sweet lines within the harmonic structure of the tune. Louis, as a talker, is credited with the invention of scat, in which the vocalist makes up nonsense syllables to sing improvised lines. Other notable performers of New Orleans or Dixieland jazz include clarinetist washbowlny Dodds, soprano saxophone imposter Sidney Bechet, trumpeter King Oliver, and trombonist Kid Ory. Other styles po pular during this period were various forms of piano jazz, including ragtime, Harlem stride, and boogie-woogie. These styles are actually quite distinct, but all three are characterized by rhythmic, percussive left hand lines and fast, full moon right hand lines. Scott Joplin and Jelly Roll Morton were early ragtime pioneers. Fats Waller, Willie "The king of beasts" Smith and James P. Johnson popularized the stride left hand pattern ( cryptical note, chord, bass note, chord) Albert Ammons and Meade Lux Lewis developed this into the faster moving left hand patterns of boogie-woogie. Earl "Fatha" Hines was a pianist who was especially known for his right hand, in which he did not often play full chords or arpeggios, playing instead "horn-like" melodic lines. This has become commonplace since then. Art Tatum is considered by many to be the superior jazz pianist ever he was certainly one of the most technically gifted, and his harmonic insights paved the way f or many who came after him. He is sometimes considered a precursor of bebop. Big Band Jazz and stingerAlthough the big bands are normally associated with a slightly later era, on that point were several large bands playing during the 1920s and early 1930s, including that of Fletcher Henderson. Bix Beiderbecke was a cornet soloist who played with several bands and was considered a legend in his time. The mid 1930s brought on the shake era and the emergence of ... ...c piano, Ron Carter and Dave Holland on bass, John McLaughlin on guitar, and Tony Williams and Jack DeJohnette on drums. Tony Williams formed a flap oriented band called Lifetime with John McLaughlin, who also formed his own high energy group, the Mahavishnu Orchestra. Through the 1970s Miles go along to explore new directions in the use of electronics and the incorporation of funk and disputation elements into his music, leading to albums such as Pangea and Agharta. Other groups combined jazz and rock in a more po pularly oriented manner, from the crossover abstract 40 of Spyro Gyra and Chuck Mangione to the somewhat more esoteric guitarist glib-tongued Metheny. Other popular fusion bands include Weather Report, featuring Wayne Shorter, Joe Zawinul, and bass players Jaco Pastorius and Miroslav Vitous upshot To Forever, featuring Chick Corea and bassist Stanley Clarke The Crusaders, featuring saxophonist Wilton Felder and keyboardist Joe Sample the Yellowjackets, featuring keyboardist Russell Ferrante and the Jeff Lorber Fusion, which originally featured Kenny G on saxophone. In recent years, several fusion bands have achieved much technical success, including those of Pat Metheny and Kenny G.

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